Archive for the ‘Notes from New York’ Category

May 7th, 2009 | No Comments »

Saw SHREK yesterday afternoon and NINE TO FIVE last night. Both great.

SHREK is very creative, charming and entertaining … some really fabulous songs in there – not what you would expect. Brian D’Arcy James and Sutton Foster are both utterly wonderful and charming. The costumes and sets are incredible making us wonder how it will tour. Hopefully it won’t be scaled back too much! Tina is very positive about getting the show for Dayton in the next few years.

NINE TO FIVE, on which we are a producer as part of the Independent Presenters Network, was great. I was really impressed with the trio of actresses in the leads – Allison Janney doesn’t have the strongest voice, but she has a fabulous number in the second act that was written just for her! Of course her acting is superb. The staging and choreography are the next stand out to me. Very inventive choreography, very contemporary really – the whole thing is set in the late 70s/early 80s, same time as the movie was. Mark Kudisch plays Hart and he is a good foil for the ladies, as he told us was his role in the Creative Connection panel they did for us. He spends most of the show in a Foy fly harness which he says is suprisingly comfortable. Ha! Again, Tina is eager to get this show for Dayton as soon as possible and since we are part of the investment team via IPN, that will help our ability to get it on our season sooner rather than later.

Today is all conference sessions and one more show tonight – WEST SIDE STORY. WSS is one of the titles I grew up with – listened to the movie sound track and still know all the words. Can’t wait.

- Sue Stevens

May 7th, 2009 | No Comments »

First day of the Broadway League Annual Road Conference in New York City was a busy one. Great panels and speakers on topics such as the synergy between education and marketing; current social media trends and how to apply them; diversity in the workplace; top concerns of touring Broadway presenters today; etc. Tuesday evening, Michael Roediger and I saw the Broadway revival of HAIR at the Martin Beck Theatre (now the Hirschfeld Theatre). Incredible performances and all the in-your-face rebellion and passion of the 60s of the original and then some – or so my older colleagues in the League were saying at intermission. One gentleman recalled the original production and said this one was like a really great flashback. Not for the faint of heart with lots of simulated sex and drug use (of course), profanity, and even full front nudity, HAIR is packed with infectious enthusiasm. More later on what the rest of our party saw last night.

Tomorrow I’ve been asked to chime in on the subject of customer service, how you track it, how you focus on it, how you reward staff who “get it.” A subject that Victoria Theatre Association is pretty well versed in. I’ll be talking about our customer service survey on our website – check it out at the survey link in the upper right corner of the home page. I’ll also be talking about our Spotlight Awards and how we encourage and reward our staff to take the utmost care of our patrons.

Dayton native and Tony-nominated Allison Janney was one of a panel of speakers from NINE TO FIVE at a conference session Tuesday. She and her fellow cast members were joined by Dolly Parton to be interviewed with wit and style by the inimitable Liz Smith. A real treat!

- Sue Stevens

May 5th, 2009 | No Comments »

This week is the annual Broadway League conference in New York City – THE big industry trade show and conference for the Broadway and touring Broadway industries. Victoria Theatre Association’s Tina McPhearson and Sue Stevens are in New York (lucky them!), and they’ll be sending back reports from the conference throughout the week. And here is Sue’s first installment:

In just a few minutes, the Tony Award nominees will be announced [see the entry below for details] … I should be on Times Square to hear them live, but I got in a tad late last night.

Tina, Michael and I were at ROCK OF AGES at the Brooks Atkinson last night (which was great ’80s hair band rock fun – a bit raunchy but then so were the ’80s). The audience sure rocked out – the mainfloor was packed with Broadway League members starting off right the Annual League Road Conference. The balcony was packed with screaming Constantine Maroulis fans. He was truly great – very charming, in great voice, respectable moves.

The story centers on his character a wannabe rocker working a famous bar on the Sunset Strip in LA when German developers propose to the mayor that they tear out all the bars and strip joints to create a wholesome strip mall environment. Naturally rebellion begins … check out the website at www.rockofagesmusical.com for more.

May 5th, 2009 | No Comments »

This year’s Tony Award nominations were announced this morning. Billy Elliot, The Musical earned 15 nominations, the most of any show of the season. Billy Elliot and Mel Brooks’ The Producers are now tied for the most Tony nominations ever received by one show. Other shows that fared well include Next to Normal (11), Hair (8), Shrek the Musical (8), Mary Stuart (7), The Norman Conquests (7), God of Carnage (6) and Joe Turner’s Come and Gone (6).

Read all the details at Playbill.com

November 19th, 2008 | No Comments »

The New York Times features an article today about how the banking and credit crisis is hitting Broadway, in terms of its ability to secure financing for new projects:

Tragedy Tomorrow, Economic Woes Tonight
By Patricia Cohen
Like most longtime Broadway producers, James Freydberg is used to getting loans. But recently he found that despite what he said was his perfect credit rating, his bank was not so accommodating. “Banks are unwilling or unable to loan money,” he said.
[ Read the full article ]

September 10th, 2008 | No Comments »

Click Here to read Playbill.com’s preview of the upcoming Broadway season in New York City. Many interesting things are on the horizon. And check back here often for more news on Dayton’s upcoming theatre season, where many interesting things are also on the horizon!

May 2nd, 2008 | No Comments »

This just in from New York:

MOVING TO THE TOP OF HER CLASS…
ORIGINAL BROADWAY CAST MEMBER BECKY GULSVIG TO PLAY ELLE WOODS IN THE FIRST NATIONAL TOUR

It was announced today that original Broadway cast member Becky Gulsvig will play Elle Woods in the First National Tour of the “mega-hit” (Wall Street Journal) LEGALLY BLONDE THE MUSICAL.  The tour will kick off in Rhode Island at The Providence Performing Arts Center (PPAC) on September 23, 2008.   Additional casting will be announced shortly.

Sorority star Elle Woods doesn’t take “no” for an answer.  So when her boyfriend dumps her for someone more “serious,” Elle puts down the credit card, hits the books, and sets out to go where no Delta Nu has gone before: Harvard Law. Along the way, Elle proves that being true to yourself never goes out of style.

Broadway baby Becky Gulsvig doesn’t take “no” for an answer.  After a year of performing in the ensemble of LEGALLY BLONDE THE MUSICAL and understudying the role of Elle Woods, Becky will fill the pink pumps that made the original, Tony Award Nominated Broadway Elle Laura Bell Bundy, and the MGM film’s Reese Witherspoon, stars.  Becky made her Broadway debut as Amber Von Tussle in Hairspray and has played Wendy in the National Tour of Peter Pan, Patty Simcox in Grease and Philia in …Forum.   Her TV credits include “All My Children” & “Legally Blonde The Musical” on MTV. 

As on Broadway, Tony Award-winner Jerry Mitchell is the director and choreographer.  Music and lyrics are by both Tony Award Nominees Laurence O’Keefe and Nell Benjamin, and the book is by Tony Award Nominee Heather Hach.  Casting will be announced shortly. 

America goes Blonde starting at Rhode Island’s PPAC (September 23-September 28, 2008).  Other venues for the first national tour of the “the funniest, most fabulous new musical” (WWOR-TV) include: Baltimore, MD (September 30-October 12, 2008); Buffalo, NY (October 14-19, 2008); Rochester, NY (October 21-26, 2008); Cleveland, OH (November 11-23, 2008); Schenectady (November 25-30, 2008); Philadelphia, PA (December 2-7, 2008); Hartford, CT (December 9-14, 2008); Washington, DC (December 16, 2008-January 11, 2009); East Lansing, MI (January 13-18, 2009); St. Louis, MO (January 20-February 1, 2009); Houston, TX (February 10-22, 2009); Des Moines, IA (February 24-March 1, 2009); Memphis, TN (March 3-8, 2009); Orlando, FL (March 10-15, 2009); West Palm Beach, FL (March 17-22, 2009); Greenville, SC (March 24-29, 2009); Naples, FL (March 31-April 5, 2009); Clearwater, FL (April 7-12, 2009); Durham, NC (April 14-19, 2009); Charlotte, NC (April 21-26, 2009); St. Paul, MN (April 28-May 10, 2009); Dayton, OH (June 16-21, 2009); Nashville, TN (June 23-28, 2009); Kansas City, MO (June 30-July 5, 2009); Atlanta, GA (July 14-19, 2009); Dallas, TX (July 21-August 9, 2009); Los Angeles, CA (August 11-September 6, 2009); Costa Mesa, CA (September 8-20, 2009). 

LEGALLY BLONDE is produced by Hal Luftig, Fox Theatricals and Dori Berinstein, in association with MGM Onstage, Darcie Denkert and Dean Stolber.   The production features scenic design by David Rockwell, costume design by Gregg Barnes, lighting design by Kenneth Posner and Paul Miller, orchestrations by Christopher Jahnke and sound design by ACME Sound Partners.

Click Here to read the story at Playbill.com.

In other news, the MTV reality show “Legally Blonde: The Search for the New Elle Woods” will premiere on June 2. See the Broadway World story here for more: http://www.broadwayworld.com/viewcolumn.cfm?colid=27438

April 28th, 2008 | No Comments »

Longtime Dayton resident and philanthropist Dr. Benjamin Schuster has been honored by The Broadway League with their 2008 Star of Touring Broadway Award. 

The Star of Touring Broadway Award is given annually by The Broadway League (formerly the League of American Theatres & Producers) to an individual who has made a significant impact on touring Broadway in a local market.

This year’s award recognizes the impact of the leadership gift made by Dr. Schuster and his late wife Marian, to help build the Benjamin and Marian Schuster Performing Arts Center, which opened in 2003. The Schusters played an integral role in the realization of the performing arts center that bears their names by donating $8 million to the project. Their leadership inspired another $115 million in gifts to build the performing arts center that is home to Dayton Philharmonic Orchestra, Dayton Opera, Dayton Ballet, and Victoria Theatre Association. 

Over the past five years, the Schuster Center has greatly enhanced the caliber of touring Broadway in Dayton. Without the Schuster Center, Dayton would never have hosted successful runs of THE PHANTOM OF THE OPERA, THE PRODUCERS, MOVIN’ OUT, Cathy Rigby in PETER PAN, HAIRSPRAY, and MONTY PYTHON’S SPAMALOT. In the near future the list will grow to include Oprah Winfrey presents THE COLOR PURPLE, LEGALLY BLONDE: THE MUSICAL, CHITTY CHITTY BANG BANG and WICKED. Victoria Theatre Association, the organization responsible for presenting touring Broadway in Dayton, nominated Dr. Schuster for this prestigious award.

The economic impact of these shows playing Dayton is vast – not just for Dayton but also for touring Broadway. Secondary touring markets such as Dayton play an essential role in the success of Broadway tours, and the Schuster Center has changed the stature of Dayton as a Broadway touring market. 

Dr. and Mrs. Schuster have provided an incredible legacy for the arts in our community. Longtime residents of Dayton, the Schusters have a 45-year history of philanthropy in the Miami Valley, supporting not only the performing arts, but also medical and educational initiatives. Marian Schuster, often the inspiration behind the couple’s generosity to the arts, passed away in July 2007.

The Award was recently announced at the 2008 Touring Broadway Awards, held during The Broadway League’s annual Spring Road Conference in New York City. Established in 2000, the Touring Broadway Awards are the first national awards to recognize Touring Broadway.  Broadway League members, representing more than 240 markets, act as a blue-ribbon panel to select award recipients from their Broadway Series.

The Broadway League, founded in 1930 as the League of New York Theatres, is the national trade association for the Broadway industry. The League’s 600-plus members include theatre owners and operators, producers, presenters, and general managers in 240 North American cities, as well as suppliers of goods and services to the theatre industry. Each year, League members bring Broadway to nearly 30 million people in New York and across the U.S. and Canada.

April 18th, 2008 | No Comments »

What a fun, hilarious time! Went to the matinee … and the audience had more than the usual share of moms and daughters out for an afternoon at one of the biggest hits on Broadway! Great enery, great dancing, and a great message … that doesn’t get in the way of the great enterainment! And I have to say I loved the dogs and they should have more stage time! We heard from the marketing team that the dogs used in the show (chihuahua Bruiser and bulldog Rufus) are rescue dogs from shelters! More later as I’m often to THE LITTLE MERMAID!

- Sue Stevens

April 17th, 2008 | No Comments »

Wow. I’m still reeling. It was a huge production, in the sense of the emotional wollop it delivers. Patrick Stewart was … well, tremendous comes to mind. Everything The New York Times said was true. He makes Macbeth both a monster and an emotionally disturbed man. The rest of the cast was equally spell binding. Kate Fleetwood as Lady Macbeth was terribly eery, evil, and electrifying. Michael Feast as MacDuff was heart wrenching. This is the guy whose wife and children are slaughtered by Macbeth and his men (onstage no less). The setting or style of the production was horrific in its facist/nazi-like details, including propaganda-style projections. The main set appeared as a lower level kitchen area for a large manor house or castle which was particularly ghoulish for the witches (at first hollow-eyed ‘nurses’ and then wraith-like maid servants) and for Banquo’s ghost.

I had the pleasure earlier on in my career in arts administration to be a part of the staff of Clowes Memorial Hall of Butler University in Indianapolis when we presented Patrick Stewart in a one-night only performance entitled “Uneasy Lies the Head.” It was an evening of excerpts from the various roles Stewart has played that evoke the Shakespearean line “Uneasy Lies the Head that Wears the Crown.” I had the opportunity to speak with him at a post-show reception at which he graciously appeared (he’s shorter than he appears on screen). His is one of the few autographs I have ever sought and obtained. So yes, I guess you have to call me a big fan. Ironically seeing the man in his element – live theatre and lots of it Shakespeare – ruined the remaining season(s) of “Star Trek: The Next Generation” for me. Ever since that time I’ve longed for the opportunity to see him live on stage in a Shakespearean role. I finally got that chance Tuesday night … and I was not disappointed.

I might have nightmares from the gruesome, spellbinding evil that this production brought chilllingly to life on stage at the Lyceum Theatre … but it will have been worth it!

More soon when I see LEGALLY BLONDE and THE LITTLE MERMAID!! Talk about contrasts … one might even say “from the sublime to the ridiculous” but only in the kindest, nicest sort of way. I’m ready for some levity!

- Sue Stevens